
Jack and Naomi (partners in life as well as in business) created GENERATIONS cinemastories with an eye and ear focused on making wedding, mtizvah and special event films that would grow in value several generations down the road.
Rather than following trends in the industry, the couple and the studio editors are constantly innovating, stayiing ahead of the curve. ""We want to make an event film in the style of the client and the event. For some that will mean modern, for others, retro. Some projects will be heavy on the music, others stronger in dialogue". Their work is not about the latest camera or the newest tripod. While they use small, professional cams and mics, the team focuses on the people and the stories they tell. Rather than using a template (These are the four "money shots" of the ceremony..." ) Naomi and Jack keep their cameras rolling, out of the way and usually unseen. They work hard to see old traditions in new ways and they excel at capturing intimate moments that happen unexpectedly
Awarded Best of Boston by Boston Magazine in 2008 (the only wedding videographers to have had that honor!), members of the National Association of Catering Executives, International Special Event Society, Boston Bridal Lounge, Style Me Pretty the studio has made a name for itself offering the best in unpretentious, emotionally sensitive wedding, mitzvah and event documentation. In 2011 GENERATIONS cinemastories was a finalst on Boston's A-list, and the sole videographers to be awarded the Editor's Choice from Brides Boston Magazine. in 2011, GENERATIONS cinemastories was featured in the premiere issue of Southern New England Destination Weddings as well as Southern New England Magazine.
Specializing in honoring tradition while beng creative innovators, founders Jack Brotman and Naomi Raiselle are artist who continue to experiment with film narrative as well as montage and the broader medium of moving image and sound.
An in-person meeting will allow prospective clients to understand what makes this studio so special.

